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Sonos: Deleted unused libs
git-svn-id: https://svn.fhem.de/fhem/trunk@7269 2b470e98-0d58-463d-a4d8-8e2adae1ed80
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@ -1,55 +0,0 @@
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#!/usr/bin/perl -w
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$VERSION = '1.00';
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use strict;
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package Encode::transliterate_win1251;
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my $debug;
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# Assume that FROM are 1-char, and have no REx charclass special characters
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my $uc = "ß ÂÅÐÒÛÓÈÎÏØ Ù ÀÑÄÔÃÕÉÊËÇÜ ÖÆ ÁÍÌÝÞ × ¨Ú";
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my $ul = "YAVERTYUIOPSHSCHASDFGHJKLZ''CZHBNMEYUCHE'";
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# titlecase and random alternative translations
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my $tc = "ß Ø Ù Æ Þ Þ Þ þ × × × ÷ ß ß ÿ ß ß ÿ Ù Ù ù ¨ ¨ ¸ ";
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my $tl = "YaShSchZhYuIUIuiuChTchTCHtchIAIaiaJAJajaTCHTchtchJOJojo";
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# Assume that 1-char parts of TO have no REx charclass special characters
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my $lc = "ÿ âåðòûóèîïø ù àñäôãõéêëçüöæ áíìýþ ÷ ¸ú¹";
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my $ll = "yavertyuiopshschasdfghjklz'czhbnmeyuche'N";
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sub prepare_translation {
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my ($from, $to) = @_;
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die "Mismatch of length:\nfrom: '$from'\nto: '$to'\n" unless length($from) == length $to;
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my @from = ($from =~ /(\S\s*)/g);
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my (%hash_from, %hash_to);
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for my $chunk (@from) {
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my $chunk_to = substr($to, 0, length $chunk);
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substr($to, 0, length $chunk) = "";
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$chunk =~ s/\s+$//;
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$hash_from{$chunk} = $chunk_to;
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# Prefer earlier definition for reverse translation
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$hash_to{$chunk_to} = $chunk unless exists $hash_to{$chunk_to};
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}
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(\%hash_from, \%hash_to)
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}
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sub make_translator {
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my ($hash) = @_;
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die unless keys %$hash;
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my @keys2 = grep length > 1, keys %$hash;
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my $keys1 = join '', grep length == 1, keys %$hash;
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my $rex = '';
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$rex .= (join('|', sort {length $b <=> length $a} @keys2) . '|')
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if @keys2;
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$rex .= "[\Q$keys1\E]" if length $keys1;
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warn "rex = '$rex'\n" if $debug;
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eval "sub {s/($rex)/\$hash->{\$1}/g}" or die;
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}
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sub cyr_table {"$uc$lc$tc"}
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sub lat_table {"$ul$ll$tl"}
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#my $to = make_translator( (prepare_translation("$uc$lc$tc", "$ul$ll$tl"))[0] );
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1;
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File diff suppressed because it is too large
Load Diff
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Load Diff
@ -1,906 +0,0 @@
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# format = mail-header
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# no_opus_no
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## Note: All orchestral/operatic pieces are orchestrated by Gershwin unless otherwise specified.
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## * Lullaby (1919), a meditative piece for string quartet. Originally, a class assignment from his music theory teacher.
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## * Blue Monday, a one-act opera featured in George White's Scandals of 1922, orchestrated by Will Vodery.
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## + A Suite from Blue Monday for two pianos was later arranged and has been recorded.
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## + Reorchestrated by Ferde Grofe and retitled 135th Street in 1925.
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## * Rhapsody in Blue, (1924), his most famous work, a symphonic jazz composition for Paul Whiteman's jazz band & piano , better known in the form orchestrated for full
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## symphonic orchestra by Ferde Grofe. Featured in numerous films and commercials.
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Title-RAW: Short Story,
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Title-For: violin and piano
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Title-Dates: 1925
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##, an arrangement of two other short pieces originally intended to be included with the Three Preludes.
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## * Concerto in F, (1925), three movements, for piano and orchestra
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## * Three Preludes, (1926), for piano
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## * An American In Paris (1928), a symphonic poem with elements of jazz and realistic Parisian sound effects
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## * Second Rhapsody for Piano and Orchestra (1931), for Piano and Orchestra, based on the score for a musical sequence from Delicious. Working title for the work was Rhapsody
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## in Rivets.
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## + The form most commonly heard today is a re-orchestrated version by Robert McBride; most of Gershwin's orchestrations have been simplified. Also, eight measures not by the composer
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## were added to the recapitulation. Michael Tilson Thomas has been a promulgator of Gershwin's original version.
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## * Cuban Overture (1932), originally titled Rumba, a tone poem featuring elements of native Cuban dance and folk music; score specifies usage of native Cuban instruments
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Title-RAW: Piano Transcriptions of Eight Songs
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Title-Dates: 1932
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## * I Got Rhythm Variations (1934), a set of interesting variations on his famous song, for piano and orchestra
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## + Includes a waltz, an atonal fugue, and experimentation with Asian and jazz influences
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## * Porgy And Bess, a folk opera (1935) (from the book by DuBose Heyward) about African-American life, now considered a definitive work of the American theater.
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## + Contains the famous aria "Summertime", in addition to hits like "I Got Plenty of Nothin'" and "It Ain't Necessarily So".
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## + Porgy and Bess has also been heard in the concert hall, mostly in two orchestral suites, one by Gershwin himself entitled Catfish Row; another suite by Robert Russell
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## Bennett, Porgy and Bess: A Symphonic Picture is also relatively popular.
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Title-RAW: Walking the Dog
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Title-Dates: 1937
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##, a humorous piece for orchestra featuring the clarinet. Originally a musical sequence entitled Promenade from the movie Shall We Dance for piano
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## and chamber orchestra.
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## + Many other incidental sequences from Shall We Dance were written and (for the most part) orchestrated by Gershwin, among them: Waltz of the Red Balloons and a final
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## extended 8-minute orchestral passage based on the title song with an intruiging coda hinting at Gershwin forging a new musical path. It is unknown why any of these
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## compositions have not seen the light of day in the concert hall.
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## + Most of the musicals Gershwin wrote are also known for their instrumental music, among them the March from Strike Up The Band and overtures to many of his later
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## shows.
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Title-RAW: Impromptu in Two Keys
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Title-Dates: publ. posth. in 1973
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##, for piano
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Title-Count: Two
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Title-Type: Waltzes
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Title-Key: C major
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Title-Dates: publ. posth. in 1975
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##, for piano
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## + Originally a two-piano interlude in Pardon My English on Broadway.
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## Musical theater credits
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## Note: All works are musicals produced on Broadway unless specified otherwise.
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Title-RAW: Half Past Eight (lyrics by Ira Gershwin and Edward B. Perkins). Premiered in Syracuse.
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Title-Dates: 1919
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Title-RAW: La La Lucille
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Title-Lyrics-By: Arthur Jackson, B. G. DeSylva and Irving Caesar
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Title-Dates: 1919
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Title-RAW: Morris Gest
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Title-Name: Midnight Whirl
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Title-Lyrics-By: B. G. DeSylva and John Henry Mears
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Title-Dates: 1919
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Title-RAW: Limehouse Nights
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Title-Lyrics-By: B. G. DeSylva and John Henry Mears
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Title-Dates: 1919
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Title-RAW: Poppyland
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Title-Lyrics-By: B. G. DeSylva and John Henry Mears
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Title-Dates: 1920
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Title-RAW: George White's Scandals of 1920
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Title-Lyrics-By: Arthur Jackson
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Title-Dates: 1920
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Title-RAW: A Dangerous Maid (lyrics by Ira Gershwin). Premiered in Atlantic City.
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Title-Dates: 1921
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Title-RAW: The Broadway Whirl (co-composed with Harry Tierney, lyrics by Buddy DeSylva, Joseph McCarthy, Richard Carle and John Henry Mears
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Title-Dates: 1921
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Title-RAW: George White's Scandals of 1921
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Title-Lyrics-By: Arthur Jackson
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Title-Dates: 1921
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Title-RAW: George White's Scandals of 1922
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Title-Lyrics-By: E. Ray Goetz, Ira Gershwin and B. G. DeSylva
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Title-Dates: 1922
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## + The premiere performance featured the one-act opera Blue Monday with libretto and lyrics by B. G. DeSylva, set in Harlem in a jazz idiom. However, after only one
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## performance, the opera was withdrawn from the show. Gershwin also wrote seven other songs for the show.
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Title-RAW: Our Nell (co-composed with William Daly, lyrics co-written by Gershwin and Daly)
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Title-Dates: 1922
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Title-RAW: By and By
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Title-Lyrics-By: Brian Hooker
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Title-Dates: 1922
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Title-RAW: Innocent Ingenue Baby (co-composed with William Daly, lyrics by Brian Hooker)
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Title-Dates: 1923
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Title-RAW: Walking Home with Angeline
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Title-Lyrics-By: Brian Hooker
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Title-Dates: 1923
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Title-RAW: The Rainbow (lyrics by Clifford Grey and Brian Hooker). Premiered in London.
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Title-Dates: 1923
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Title-RAW: George White's Scandals of 1923
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Title-Lyrics-By: E. Ray Goetz, B. G. DeSylva and Ballard MacDonald
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Title-Dates: 1923
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Title-RAW: Sweet Little Devil
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Title-Lyrics-By: B. G. DeSylva
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Title-Dates: 1924
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Title-RAW: George White's Scandals of 1924
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Title-Lyrics-By: B. G. DeSylva and Ballard MacDonald
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Title-Dates: 1924
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Title-RAW: Primrose (lyrics by Desmond Carter and Ira Gershwin). Premiered in London.
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Title-Dates: 1924
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Title-RAW: Lady, Be Good!
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1924
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Title-RAW: Tell Me More!
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Title-Lyrics-By: Ira Gershwin and B. G. DeSylva
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Title-Dates: 1925
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Title-RAW: Tip-Toes
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1925
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Title-RAW: Song of the Flame (operetta, lyrics by Otto Harbach and Oscar Hammerstein II, and musical collaboration by Herbert Stothart)
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Title-Dates: 1925
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Title-RAW: Oh, Kay!
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Title-Lyrics-By: Ira Gershwin and Howard Dietz
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Title-Dates: 1926
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## + Includes the famous song, "Someone to Watch Over Me"
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## + Revived in 1928 and 1990 (the latter with an all-Black cast)
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Title-RAW: Strike Up The Band
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: premiered in Philadelphia 1927, revised Broadway in 1930, revised 1936 for U.C.L.A
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# prev_aka Strike Up The Band
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## + Revised and produced on Broadway in 1930
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Title-RAW: Funny Face
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1927
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Title-RAW: Rosalie
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Title-Lyrics-By: Ira Gershwin and P. G. Wodehouse, co-composed with Sigmund Romberg
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Title-Dates: 1928
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Title-RAW: Treasure Girl
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1928
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Title-RAW: Show Girl
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Title-Lyrics-By: Ira Gershwin and Gus Kahn
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Title-Dates: 1929
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Title-RAW: Girl Crazy
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1930
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Title-RAW: Of Thee I Sing
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1931
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## + Awarded the Pulitzer Prize for Drama for 1932 and was the first musical to win that award, although only Ira Gershwin and the bookwriters were awarded the Prize and
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## not George Gershwin
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## + Revived in 1933 and 1952
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Title-RAW: Pardon My English
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1933
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Title-RAW: Let 'Em Eat Cake
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1933
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## Let 'Em Eat Cake (lyrics by Ira Gershwin), sequel to Of Thee I Sing (1933)
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Title-RAW: Porgy and Bess
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Title-Lyrics-By: Ira Gershwin and DuBose Heyward
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Title-Dates: 1935
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## + Revived on Broadway in 1942, 1943, 1953, 1976 (Houston Grand Opera winner of the Tony Award for Most Innovative Revival of a Musical), and 1983
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## Works featuring original Gershwin songs for shows by other composers
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Title-RAW: The Passing Show of 1916 - "Making of a Girl" co-composed with Sigmund Romberg, lyrics by Harold Atteridge
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Title-Dates: 1916
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Title-RAW: Hitchy-Koo of 1918 - "You-Oo just You", lyrics by Irving Caesar
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Title-Dates: 1918
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Title-RAW: Ladies First - "(The Real) American Folk Song (is a Rag)", lyrics by Ira Gershwin and "Some Wonderful Sort of Someone", lyrics by Schuyler Greene
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Title-Dates: 1918
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## * 1919 - Good Morning, Judge - "I was so young (you were so beautiful)", lyrics by Irvine Caesar and Alfred Bryan and "here's more to the kiss than the x-x-x", lyrics by
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## Irving Caesar
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Title-RAW: The Lady in Red - "Some Wonderful Sort of Someone", lyrics by Schyler Greene and "Something about Love", lyrics by L. Paley
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Title-Dates: 1919
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Title-RAW: The Capitol Revue - "Come to the Moon", lyrics by L. Paley and Ned Wayburn, "Swanee", lyrics by Irvine Caesar
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Title-Dates: 1919
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Title-RAW: Dear Mabel - "We're pals", lyrics by Irving Caesar, first performed in Baltimore
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Title-Dates: 1920
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Title-RAW: Ed Wynn's Carnival - "Oo, how I love you to be loved by you", lyrics by L. Paley
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Title-Dates: 1920
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Title-RAW: The Sweetheart Shop - "Waiting for the Sun to Come Out", lyrics by Ira Gershwin
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Title-Dates: 1920
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Title-RAW: Sinbad - "Swanee" (as performed by Al Jolson)
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Title-Dates: 1920
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Title-RAW: Broadway Brevities of 1920 - "Lu Lu" and "Snowflakes", lyrics by Arthur Jackson and "Spanish love", lyrics by Irving Caesar
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Title-Dates: 1920
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Title-RAW: Piccadilly to Broadway, songs unpublished
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Title-Dates: 1920
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Title-RAW: Blue Eyes, songs unpublished
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Title-Dates: 1921
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Title-RAW: Selwyn's Snapshots of 1921, songs unpublished
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Title-Dates: 1921
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Title-RAW: The Perfect Fool - "My Log-Cabin Home", lyrics by Irving Caesar and Buddy De Sylva, "No One Else but that Girl of Mine", lyrics by Irving Caesar
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Title-Dates: 1921
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Title-RAW: The French Doll - "Do it again!", lyrics by Buddy De Sylva
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Title-Dates: 1922
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Title-RAW: For Goodness Sake - "Someone" and "Tra-la-la", lyrics by Ira Gershwin
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Title-Dates: 1922
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Title-RAW: The Dancing Girl - "That American Boy of Mine", lyrics by Irving Caesar
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Title-Dates: 1922
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Title-RAW: Spice of 1922 - "The Yankee Doodle Blues", lyrics by Irving Caesar and Buddy De Sylva
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Title-Dates: 1922
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Title-RAW: Little Miss Bluebeard (play) - "I won't say I will but I won't say I won't", lyrics by Ira Gershwin and Buddy De Sylva
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Title-Dates: 1923
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Title-RAW: Nifties of 1923 - "At Half Past Seven", lyrics by Buddy De Sylva, and "Nashville Nightingale", lyrics by Irving Caesar
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Title-Dates: 1923
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Title-RAW: Americana of 1926 -
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Title-Name: That Lost Barber Shop Chord
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Title-Dates: 1926
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Title-RAW: 9:15 Revue
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Title-Dates: 1930
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Title-RAW: The Show is On -
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Title-Name: By Strauss
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Title-Dates: 1936
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## + Revived in 1937
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## Works interpolating Gershwin songs posthumously:
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Title-RAW: At Home With Ethel Waters -
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Title-Name: Lady Be Good
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Title-Dates: 1953
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Title-RAW: Mr. Wonderful
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Title-Dates: 1956
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### "I Got Rhythm" a hit single for pop vocal group The Happenings (1967)
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### My One And Only - an adaptation of the music from Funny Face (1983)
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### Uptown...It's Hot! - "Lady Be Good" (1986)
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### Crazy For You - musical adapting George and Ira Gershwin Tin Pan Alley and Broadway songs (1992)
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## + Awarded the Tony Award for Best Musical
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### The Gershwins' Fascinating Rhythm - revue with songs by George and Ira Gershwin (1999)
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## * 2001 - George Gershwin Alone - one-man play by Hershey Felder, who portrayed Gershwin, incorporating "Swanee" from Sinbad (lyrics by Irving Caesar), "Embraceable You" from
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## Girl Crazy (lyrics by Ira Gershwin), "Someone to Watch Over Me" from Oh, Kay! (lyrics by Ira Gershwin), "Bess, You is My Woman Now" from Porgy and Bess
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## (lyrics by DuBose Heyward and Ira Gershwin), An American in Paris and Rhapody in Blue.
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### Elaine Stritch at Liberty - But Not For Me (2002)
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### Back From Broadway - one-time concert featuring songs by George Gershwin (2002)
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## Musical films
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Title-RAW: The Sunshine Trail - theme song of same title (lyrics by Ira Gershwin), as well as accompaniment music for silent film
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Title-Dates: 1923
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Title-RAW: Delicious
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1931
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||||
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Title-RAW: Shall We Dance?
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1937
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Title-RAW: A Damsel in Distress
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1937
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Title-RAW: Goldwyn Follies
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Title-Lyrics-By: Ira Gershwin
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Title-Dates: 1938
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## + Gershwin died during the filming. Vernon Duke completed and adapted Gerhwin's songs, and composed some additional ones.
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Title-RAW: The Shocking Miss Pilgrim (Kay Swift adapted a number of unpublished Gershwin melodies and Ira Gershwin wrote the lyrics.)
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Title-Dates: 1947
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Title-RAW: Kiss Me, Stupid (adaptations of unpublished Gershwin songs with lyrics by Ira Gershwin.)
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Title-Dates: 1964
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## Miscellaneous Songs
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Title-RAW: When you want 'em, you can't get 'em, when you've got 'em, you don't want 'em
|
||||
Title-Lyrics-By: M. Roth
|
||||
Title-Dates: 1916
|
||||
|
||||
Title-RAW: The Love of a Wife
|
||||
Title-Lyrics-By: Arthur Jackson and B. G. De Sylva
|
||||
Title-Dates: 1919
|
||||
|
||||
Title-RAW: Yan-Kee
|
||||
Title-Lyrics-By: Irving Caesar
|
||||
Title-Dates: 1920
|
||||
|
||||
Title-RAW: Dixie Rose
|
||||
Title-Lyrics-By: Irving Caesar and B. G. De Sylva
|
||||
Title-Dates: 1921
|
||||
|
||||
Title-RAW: In the Heart of a Geisha
|
||||
Title-Lyrics-By: Fred Fisher
|
||||
Title-Dates: 1921
|
||||
|
||||
Title-RAW: Swanee Rose
|
||||
Title-Lyrics-By: Irving Caesar and B. G. De Sylva
|
||||
Title-Dates: 1921
|
||||
|
||||
Title-RAW: Tomale (I'm hot for you)
|
||||
Title-Lyrics-By: B. G. De Sylva
|
||||
Title-Dates: 1921
|
||||
|
||||
Title-RAW: Harlem River Chanty and It's a great little world!
|
||||
Title-Lyrics-By: Ira Gershwin, originally composed for Tip-Toes on Broadway but not used
|
||||
Title-Dates: 1925
|
||||
|
||||
Title-RAW: Murderous Monty (and Light-Fingered Jane)
|
||||
Title-Lyrics-By: Desmond Carter, composed for London production of Tell Me More.
|
||||
Title-Dates: 1925
|
||||
|
||||
Title-RAW: I'd rather charleston
|
||||
Title-Lyrics-By: Desmond Carter, composed for London production of Lady Be Good.
|
||||
Title-Dates: 1926
|
||||
|
||||
Title-RAW: Beautiful gypsy and Rosalie (originally composed for Rosalie on Broadway, but not used)
|
||||
Title-Dates: 1928
|
||||
|
||||
Title-RAW: Feeling Sentimental (originally composed for Show Girl on Broadway, but not used)
|
||||
Title-Dates: 1929
|
||||
|
||||
Title-RAW: In the Mandarin's Orchid Garden
|
||||
Title-Dates: 1929
|
||||
|
||||
Title-RAW: Mischa, Yascha, Toscha, Sascha (originally composed for the musical film Delicious, but not used.
|
||||
Title-Dates: 1931
|
||||
|
||||
## + This is Gershwin's only finished work based on a Jewish theme, and the title is a reference to the first names of four Jewish-Russian violinists, Mischa Elman,
|
||||
## Jascha Heifetz, Toscha Seidel and Sascha Jacobsen.
|
||||
|
||||
Title-RAW: You've got what gets me (for 1st film version of Girl Crazy)
|
||||
Title-Dates: 1932
|
||||
|
||||
Title-RAW: Till Then
|
||||
Title-Dates: 1933
|
||||
|
||||
Title-RAW: King of Swing
|
||||
Title-Lyrics-By: Al Stillman
|
||||
Title-Dates: 1936
|
||||
|
||||
Title-RAW: Strike up the band for U.C.L.A (to the same music as the song Strike Up The Band)
|
||||
Title-Dates: 1936
|
||||
|
||||
|
||||
|
||||
Title-RAW: Hi-Ho!
|
||||
Title-Lyrics-By: Ira Gershwin
|
||||
Title-Dates: 1937
|
||||
|
||||
## originally composed for Shall We Dance, but not used
|
||||
|
||||
|
||||
|
||||
Title-RAW: Just Another Rhumba
|
||||
Title-Lyrics-By: Ira Gershwin, originally composed for The Goldwyn Follies, but not used
|
||||
Title-Dates: 1938
|
||||
|
||||
Title-RAW: Dawn of a New Day
|
||||
Title-Dates: 1938
|
||||
|
||||
|
||||
|
||||
## Commercial Works for Piano
|
||||
|
||||
|
||||
|
||||
Title-RAW: Rialto Ripples - rag
|
||||
Title-Dates: 1918
|
||||
|
||||
## * early 1920s - Three-Quarter Blues (Irish Waltz)
|
||||
|
||||
Title-RAW: Swiss Miss (arrangement of a song from Lady Be Good)
|
||||
Title-Dates: 1926
|
||||
|
||||
Title-RAW: Merry Andrew (arrangement of a dance piece from Rosalie)
|
||||
Title-Dates: 1928
|
||||
|
||||
Title-RAW: George Gershwin's Song-Book (arrangements of refrains from Gershwin songs)
|
||||
Title-Dates: 1932
|
||||
|
||||
|
||||
|
||||
### ==### PIANO //
|
||||
|
||||
Title: 3 Preludes for Piano (1926) (transcr. for vn. and pf. by Heifetz)
|
||||
|
||||
Title: Three Preludes for Piano (1926) (transcr. for vn. and pf. by Heifetz)
|
||||
|
||||
Title-Count: 3
|
||||
Title-Type: Preludes
|
||||
Title-For: Piano
|
||||
Title-Dates: 1926
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Preludes
|
||||
Title-For: Piano
|
||||
Title-Dates: 1926
|
||||
|
||||
Title: Prelude No. 1 for Piano (1926) - Allegro ben ritmato e deciso
|
||||
|
||||
Title: Prelude No. 2 for Piano (1926) - Andante con moto e poco rubato
|
||||
|
||||
Title: Prelude No. 3 for Piano (1926) - Allegro ben ritmato e deciso
|
||||
|
||||
### ==### MUSICALS //
|
||||
### The Passing Show of 1916
|
||||
### ###MUSICALS //
|
||||
### La La Lucille (1919)
|
||||
### ###MUSICALS //
|
||||
### George White's Scandals (1920--1924)
|
||||
### ###MUSICALS //
|
||||
### A Dangerous Maid (1921)
|
||||
### ###MUSICALS //
|
||||
### Sweet Little Devil (1924)
|
||||
### ###MUSICALS //
|
||||
### Primrose (1924)
|
||||
### ###MUSICALS //
|
||||
### Lady, Be Good! (1924)
|
||||
### ###MUSICALS //
|
||||
### Song of the Flame (1925)
|
||||
### ###MUSICALS //
|
||||
### Tell Me More (1925)
|
||||
### ###MUSICALS //
|
||||
### Tip Toes (1925)
|
||||
### ###MUSICALS //
|
||||
### Oh, Kay! (1926, lyrics by P. G. Wodehouse)
|
||||
### ###MUSICALS //
|
||||
### Strike up the Band (1927, 2nd vers. 1930)
|
||||
### ###MUSICALS //
|
||||
### Funny Face (1927)
|
||||
### ###MUSICALS //
|
||||
### Rosalie (1928)
|
||||
### ###MUSICALS //
|
||||
### Treasure Girl (1928)
|
||||
### ###MUSICALS //
|
||||
### Show Girl (1929)
|
||||
### ###MUSICALS //
|
||||
### Girl Crazy (1930)
|
||||
### ###MUSICALS //
|
||||
### Of Thee I Sing (1931, lyrics by George F. Kaufman)
|
||||
### ###MUSICALS //
|
||||
### Pardon my English (1933)
|
||||
### ###MUSICALS //
|
||||
### Let 'em eat Cake (1933)
|
||||
### ==### SONGS //
|
||||
### ## Among the best of hundreds of songs are Swanee; The Man I Love; Embraceable You; I Got Rhythm; Fascinating Rhythm; 'S Wonderful; Lady Be Good; and Love Walked In. The popular Summertime is from Porgy and Bess
|
||||
### ###FILMS //
|
||||
### Delicious (1931)
|
||||
### ###FILMS //
|
||||
### Shall We Dance?; A Damsel in Distress (1937)
|
||||
### ###FILMS //
|
||||
### The Goldwyn Follies (1938)
|
||||
### ###FILMS //
|
||||
### The Shocking Miss Pilgrim (1946)
|
||||
### ###FILMS //
|
||||
### Kiss Me, Stupid (1964)
|
||||
### ###OPERAS //
|
||||
|
||||
Title-RAW: Blue Monday
|
||||
Title-Dates: 1-act; item in George White's Scandals 1922 but withdrawn after 1 perf.; retitled 135th Street and revived Miami 1970
|
||||
|
||||
### ###OPERAS //
|
||||
### Porgy and Bess (1934--1935)
|
||||
### ###ORCH. //
|
||||
|
||||
Title-RAW: Rhapsody in Blue (pf. and orch.)
|
||||
Title-Dates: 1924
|
||||
|
||||
### ###ORCH. //
|
||||
|
||||
Title-Type: Piano concerto
|
||||
Title-Key: F major
|
||||
Title-Dates: 1925
|
||||
|
||||
### ###ORCH. //
|
||||
|
||||
Title-RAW: An American in Paris
|
||||
Title-Dates: 1928
|
||||
|
||||
### ###ORCH. //
|
||||
|
||||
Title-RAW: Second Rhapsody for Piano and orch. (working title "Rhapsody in Rivets")
|
||||
Title-Dates: 1931
|
||||
|
||||
### ###ORCH. //
|
||||
|
||||
Title-RAW: Cuban Overture
|
||||
Title-Dates: 1932
|
||||
|
||||
### ###ORCH. //
|
||||
|
||||
|
||||
|
||||
Title-RAW: "I Got Rhythm" Variations for Piano and orch.
|
||||
Title-Dates: 1934
|
||||
|
||||
# prev_aka Variations on "I Got Rhythm"
|
||||
|
||||
|
||||
|
||||
###
|
||||
###
|
||||
### ## http://www.gershwinfan.com/works.html
|
||||
###
|
||||
### Since I Found You (1913)
|
||||
### When You Want 'Em, You Can't Get 'Em; When You've Got 'Em, You Don't Want 'Em (1916)
|
||||
### ## The Passing Show of 1916 (1916)
|
||||
### Rialto Ripples (1917)
|
||||
### Beautiful Bird (1917)
|
||||
### You Are Not the Girl (1917)
|
||||
### Hitchy Koo of 1918 (1918)
|
||||
### The Real American Folk Song (Is a Rag) (1918)
|
||||
### Kitchenette (1918)
|
||||
### If You Only Knew (1918)
|
||||
### There's Magic in the Air (1918)
|
||||
### When There's a Chance to Dance (1918)
|
||||
### ## La, La, Lucille (1919)
|
||||
### Morris Gest Midnight Whirl (1919)
|
||||
### Lullaby (1919)
|
||||
### Good Morning, Judge (1919)
|
||||
### The Lady in Red (1919)
|
||||
### Capitol Revue (1919)
|
||||
### George White's Scandals of 1920 (1920)
|
||||
### Piccadilly to Broadway (1920)
|
||||
### For No Reason at All (1920)
|
||||
### Mischa, Jascha, Toscha, Sascha (1920)
|
||||
### Waiting for the Sun to Come Out (1920)
|
||||
### Back Home (1920)
|
||||
### I Want to Be Wanted by You (1920)
|
||||
### Ed Wynn's Carnival (1920)
|
||||
### Sinbad (1920)
|
||||
### Broadway Brevities of 1920 (1920)
|
||||
### George White's Scandals of 1921 (1921)
|
||||
### The Perfect Fool (1921)
|
||||
### Blue Eyes (1921)
|
||||
### Selwyn's Snapshots of 1921 (1921)
|
||||
### George White's Scandals of 1922 (1922)
|
||||
### ## Blue Monday (one-act opera) (1922)
|
||||
### Molly on the Shore (1922)
|
||||
### For Goodness Sake (1922)
|
||||
### A New Step Ev'ry Day a/k/a Stairway to Paradise (1922)
|
||||
### Our Nell (1922)
|
||||
### The French Doll (1922)
|
||||
### ## A Dangerous Maid (1921)
|
||||
### Phoebe (1921)
|
||||
### Spice of 1922 (1922)
|
||||
### The Rainbow (1923)
|
||||
### George White's Scandals of 1923 (1923)
|
||||
### The Dancing Girl (1923)
|
||||
### Nifties of 1923 (1923)
|
||||
### I Won't Say I Will but I Won't Say I Won't (1923)
|
||||
### The Sunshine Trail (1923)
|
||||
### ## Rhapsody in Blue (1924)
|
||||
### George White's Scandals of 1924 (1924)
|
||||
### ## Lady, Be Good! (1924)
|
||||
### ## Sweet Little Devil (1924)
|
||||
### ## Primrose (1924)
|
||||
### ## Concerto in F (1925)
|
||||
### ## Song of the Flame (1925)
|
||||
### Short Story (1925)
|
||||
### ## Tell Me More (1925)
|
||||
### ## Tip-Toes (1925)
|
||||
### Preludes for Piano (1926)
|
||||
### Americana (1926)
|
||||
### ## Oh, Kay! (1926)
|
||||
### ## Strike Up the Band (1927)
|
||||
### ## Funny Face (1927)
|
||||
### ## Treasure Girl (1928)
|
||||
### ## An American in Paris (1928)
|
||||
### ## Rosalie (1928)
|
||||
### ## Show Girl (1929)
|
||||
### Impromptu in Two Keys (1929)
|
||||
### Three-Quarter Blues (1929)
|
||||
### East is West (1929)
|
||||
### 9:15 Review (1930)
|
||||
### ## Girl Crazy (1930)
|
||||
### Strike Up the Band (revision) (1930)
|
||||
### ## Of Thee I Sing (1931)
|
||||
### ## Delicious (1931)
|
||||
### George Gershwin's Song-Book (1932)
|
||||
### ## Second Rhapsody (1932)
|
||||
### ## Cuban Overture (1932)
|
||||
### Girl Crazy (1932)
|
||||
### ## Pardon My English (1933)
|
||||
### ## Let 'Em Eat Cake (1933)
|
||||
### ## Variations on I Got Rhythm (1934)
|
||||
### ## Porgy and Bess (1935)
|
||||
### The Show is On (1936)
|
||||
### Suite from Porgy and Bess (1936)
|
||||
### ## Shall We Dance? (1937)
|
||||
### A Damsel in Distress (1937)
|
||||
### ## The Goldwyn Follies (1937)
|
||||
|
||||
|
||||
|
||||
Title: Summertime (Act I Scene 1)
|
||||
|
||||
Title: A Woman is a Sometime Thing (Act I Scene 1)
|
||||
|
||||
|
||||
|
||||
Title: My Man's Gone Now (Act I Scene 2)
|
||||
|
||||
# prev_aka MY MANS GONE NOW
|
||||
|
||||
|
||||
|
||||
Title: It Take a Long Pull to Get There (Act II Scene 1)
|
||||
|
||||
Title: I Got Plenty o' Nuttin' (Act II Scene 1)
|
||||
|
||||
|
||||
|
||||
Title: Buzzard Keep on Flyin' (Act II Scene 1)
|
||||
|
||||
# prev_aka THE BUZZARD SONG
|
||||
|
||||
|
||||
|
||||
Title: Bess, You Is My Woman Now (Act II Scene 1)
|
||||
|
||||
Title: Oh, I Can't Sit Down (Act II Scene 1)
|
||||
|
||||
|
||||
|
||||
Title: It Ain't Necessarily So (Act II Scene 2)
|
||||
|
||||
## Misprints:
|
||||
|
||||
# prev_aka It Aint Necessarily So (Act II Scene 2)
|
||||
|
||||
# prev_aka It Aint Necessarily So
|
||||
|
||||
|
||||
|
||||
Title: What you want wid Bess (Act II Scene 2)
|
||||
|
||||
Title: Oh, Doctor Jesus (Act II Scene 3)
|
||||
|
||||
Title: A Red-Haired Woman (Act II Scene 4)
|
||||
|
||||
Title: There's a Boat Dat's Leavin' Soon for New York (Act III Scene 2)
|
||||
|
||||
|
||||
|
||||
Title: Bess, O Where's My Bess? (Act III Scene 3)
|
||||
|
||||
# prev_aka Where is my Bess
|
||||
|
||||
|
||||
|
||||
Title: I'm on my way (Act III Scene 3)
|
||||
|
||||
|
||||
|
||||
### From Ella's record
|
||||
|
||||
|
||||
|
||||
Title: The Half Of It Dearie Blues
|
||||
|
||||
Title: 'S Wonderful
|
||||
|
||||
Title: Aren't You Kind Of Glad We Did?
|
||||
|
||||
Title: (I've Got) Beginner's Luck
|
||||
|
||||
Title: Bidin' My Time
|
||||
|
||||
Title: Boy Wanted
|
||||
|
||||
Title: Boy! What Love Has Done To Me!
|
||||
|
||||
Title: But Not For Me
|
||||
|
||||
Title: By Strauss
|
||||
|
||||
Title: Cheerful Little Earful
|
||||
|
||||
Title: Clap Yo' Hands
|
||||
|
||||
Title: Embraceable You
|
||||
|
||||
Title: Fascinating Rhythm
|
||||
|
||||
Title: Fascinatin' Rhythm
|
||||
|
||||
Title: Fidgety Feet
|
||||
|
||||
Title: A Foggy Day
|
||||
|
||||
Title: For You, For Me, For Evermore
|
||||
|
||||
## Funny Face
|
||||
|
||||
Title: He Loves And She Loves
|
||||
|
||||
Title: How Long Has This Been Going On?
|
||||
|
||||
Title: I Can't Be Bothered Now
|
||||
|
||||
Title: I Got Rhythm
|
||||
|
||||
Title: I Was Doing All Right
|
||||
|
||||
Title: I've Got A Crush On You
|
||||
|
||||
Title: Isn't It A Pity?
|
||||
|
||||
Title: Just Another Rhumba
|
||||
|
||||
Title: Let's Call The Whole Thing Off
|
||||
|
||||
Title: Let's Kiss And Make Up
|
||||
|
||||
Title: Looking For A Boy
|
||||
|
||||
Title: Lorelei
|
||||
|
||||
### Lorelei - (alternate take)
|
||||
|
||||
Title: Love Is Here To Stay
|
||||
|
||||
### Love Is Here To Stay - (alternate take)
|
||||
|
||||
Title: Love Is Sweeping The Country
|
||||
|
||||
Title: Love Walked In
|
||||
|
||||
Title: The Man I Love
|
||||
|
||||
Title: March Of The Swiss Soldiers
|
||||
|
||||
Title: My Cousin In Milwaukee
|
||||
|
||||
Title: My One And Only
|
||||
|
||||
Title: Nice Work If You Can Get It
|
||||
|
||||
### Of Thee I Sing
|
||||
|
||||
Title: Oh, Lady, Be Good!
|
||||
|
||||
### Oh, Lady, Be Good! - (alternate take)
|
||||
|
||||
Title: Oh, So Nice!
|
||||
|
||||
Title: Prelude I
|
||||
|
||||
Title: Prelude II
|
||||
|
||||
Title: Prelude III
|
||||
|
||||
Title: Promenade (Walking The Dog)
|
||||
|
||||
Title: The Real American Folk Song (Is A Rag)
|
||||
|
||||
Title: Sam And Delilah
|
||||
|
||||
### Shall We Dance?
|
||||
|
||||
Title: Slap That Bass
|
||||
|
||||
Title: Somebody From Somewhere
|
||||
|
||||
Title: Somebody Loves Me
|
||||
|
||||
Title: Someone To Watch Over Me
|
||||
|
||||
Title: Soon
|
||||
|
||||
Title: Stiff Upper Lip
|
||||
|
||||
### Strike Up The Band
|
||||
|
||||
Title: That Certain Feeling
|
||||
|
||||
Title: They All Laughed
|
||||
|
||||
Title: They Can't Take That Away From Me
|
||||
|
||||
Title: Things Are Looking Up
|
||||
|
||||
Title: Treat Me Rough
|
||||
|
||||
Title: Who Cares?
|
||||
|
||||
### You've Got What Gets Me
|
||||
|
||||
|
||||
|
||||
### From Gershwin plays Gershwin
|
||||
|
||||
Title: Hang on to Me
|
||||
|
||||
Title: Sweet and low down
|
||||
|
||||
Title: Then do we dance?
|
||||
|
||||
Title: Maybe
|
||||
|
||||
Title: Do-do-do
|
||||
|
||||
|
||||
|
||||
## From Porgy and Bess
|
||||
|
||||
Title: I wants to stay here
|
||||
|
||||
Title: Medley: Here come de honey man crab man oh
|
||||
|
||||
@ -1,868 +0,0 @@
|
||||
# format = mail-header
|
||||
|
||||
|
||||
|
||||
## This is a very primitive list, not taking into account sub-opuses
|
||||
|
||||
|
||||
Title-Type: Piano Sonata
|
||||
Title-No: 1
|
||||
Title-Key: C major
|
||||
Title-Opus: 1
|
||||
Title-Dates: 1852
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Sonata
|
||||
Title-No: 2
|
||||
Title-Key: F sharp minor
|
||||
Title-Opus: 2
|
||||
Title-Dates: 1852
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs
|
||||
Title-Opus: 3
|
||||
Title-Dates: 1853
|
||||
|
||||
|
||||
|
||||
Title-Type: Scherzo
|
||||
Title-Key: E flat minor
|
||||
Title-For: piano
|
||||
Title-Opus: 4
|
||||
Title-Dates: 1851
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Sonata
|
||||
Title-No: 3
|
||||
Title-Key: F minor
|
||||
Title-Opus: 5
|
||||
Title-Dates: 1853
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs
|
||||
Title-Opus: 6
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs
|
||||
Title-Opus: 7
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Trio
|
||||
Title-No: 1
|
||||
Title-Key: B major
|
||||
Title-Opus: 8
|
||||
Title-Dates: 1854
|
||||
|
||||
|
||||
|
||||
Title-RAW: Variations on a theme by Robert Schumann
|
||||
Title-Key: F sharp minor
|
||||
Title-For: piano
|
||||
Title-Opus: 9
|
||||
Title-Dates: 1854
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Ballades
|
||||
Title-For: piano
|
||||
Title-Opus: 10
|
||||
Title-Dates: 1854
|
||||
|
||||
|
||||
|
||||
Title-Type: Serenade
|
||||
Title-No: 1
|
||||
Title-Key: D major
|
||||
Title-For: orchestra
|
||||
Title-Opus: 11
|
||||
Title-Dates: 1857
|
||||
|
||||
|
||||
|
||||
Title-Name: Ave Maria
|
||||
Title-Opus: 12
|
||||
|
||||
|
||||
|
||||
Title-Name: Begräbnisgesang
|
||||
Title-Opus: 13
|
||||
|
||||
|
||||
|
||||
Title-Count: Eight
|
||||
Title-Type: Songs and Romances
|
||||
Title-Opus: 14
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Concerto
|
||||
Title-No: 1
|
||||
Title-Key: D minor
|
||||
Title-Opus: 15
|
||||
Title-Dates: 1859
|
||||
|
||||
|
||||
|
||||
Title-Type: Serenade
|
||||
Title-No: 2
|
||||
Title-Key: A major
|
||||
Title-For: orchestra
|
||||
Title-Opus: 16
|
||||
Title-Dates: 1859
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Songs
|
||||
Title-For: female voices, two horns and harp
|
||||
Title-Opus: 17
|
||||
|
||||
|
||||
|
||||
Title-Type: String Sextet
|
||||
Title-No: 1
|
||||
Title-Key: B flat major
|
||||
Title-Opus: 18
|
||||
Title-Dates: 1860
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Poems
|
||||
Title-Opus: 19
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Duets
|
||||
Title-Opus: 20
|
||||
|
||||
|
||||
|
||||
Title-RAW: Two Sets of Variations
|
||||
Title-For: piano
|
||||
Title-Opus: 21
|
||||
|
||||
|
||||
|
||||
Title-Name: Marienlieder
|
||||
Title-Opus: 22
|
||||
|
||||
|
||||
|
||||
Title-RAW: Variations on a Theme by Robert Schumann
|
||||
Title-For: piano, four hands
|
||||
Title-Opus: 23
|
||||
Title-Dates: 1861
|
||||
|
||||
|
||||
|
||||
Title-RAW: Variations and Fugue on a Theme by Handel
|
||||
Title-For: piano
|
||||
Title-Opus: 24
|
||||
Title-Dates: 1861
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Quartet
|
||||
Title-No: 1
|
||||
Title-Key: G minor
|
||||
Title-Opus: 25
|
||||
Title-Dates: 1861
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Quartet
|
||||
Title-No: 2
|
||||
Title-Key: A major
|
||||
Title-Opus: 26
|
||||
Title-Dates: 1861
|
||||
|
||||
|
||||
|
||||
Title-RAW: Psalm 13
|
||||
Title-Opus: 27
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Duets
|
||||
Title-Opus: 28
|
||||
|
||||
|
||||
|
||||
Title-Count: Two
|
||||
Title-Type: Motets
|
||||
Title-Opus: 29
|
||||
Title-Dates: 1860, published 1864
|
||||
|
||||
|
||||
|
||||
Title-RAW: Geistliches Lied
|
||||
Title-Opus: 30
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Vocal Quartets
|
||||
Title-Opus: 31
|
||||
|
||||
|
||||
|
||||
Title-Count: Nine
|
||||
Title-Type: Songs
|
||||
Title-Opus: 32
|
||||
|
||||
|
||||
|
||||
Title-Count: Fifteen
|
||||
Title-Type: Romances
|
||||
Title-Related-How: from Tieck's
|
||||
Title-Related-Name: Liebesgeschichte der schönen Magelone
|
||||
Title-Opus: 33
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Quintet
|
||||
Title-Key: F minor
|
||||
Title-Opus: 34
|
||||
Title-Dates: 1864
|
||||
|
||||
|
||||
|
||||
Title-Type: Sonata
|
||||
Title-For: 2 Pianos
|
||||
Title-Key: F minor
|
||||
Title-Opus: 34b
|
||||
|
||||
|
||||
|
||||
Title-RAW: Variations on a Theme by Paganini
|
||||
Title-For: Piano
|
||||
Title-Opus: 35
|
||||
Title-Dates: 1862-1863
|
||||
|
||||
|
||||
|
||||
Title-Type: String Sextet
|
||||
Title-No: 2
|
||||
Title-Opus: 36
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Sacred Choruses
|
||||
Title-Opus: 37
|
||||
|
||||
|
||||
|
||||
Title-Type: Cello Sonata
|
||||
Title-No: 1
|
||||
Title-Key: E minor
|
||||
Title-Opus: 38
|
||||
Title-Dates: 1862-65
|
||||
|
||||
|
||||
|
||||
Title-Count: Sixteen
|
||||
Title-Type: Waltzes
|
||||
Title-For: piano, four hands
|
||||
Title-Opus: 39
|
||||
Title-Dates: 1865
|
||||
|
||||
|
||||
|
||||
Title-Type: Trio
|
||||
Title-For: Horn, Violin and Piano
|
||||
Title-Key: E flat major
|
||||
Title-Opus: 40
|
||||
Title-Dates: 1865
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-For: male voices
|
||||
Title-Opus: 41
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: secular songs
|
||||
Title-For: choir
|
||||
Title-Opus: 42
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Songs
|
||||
Title-Opus: 43
|
||||
|
||||
|
||||
|
||||
Title-Count: Twelve
|
||||
Title-Type: Songs and Romances
|
||||
Title-Opus: 44
|
||||
|
||||
|
||||
|
||||
Title-Name: Ein deutsches Requiem
|
||||
Title-Opus: 45
|
||||
Title-Dates: 1868
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Songs
|
||||
Title-Opus: 46
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 47
|
||||
|
||||
|
||||
|
||||
Title-Count: Seven
|
||||
Title-Type: Songs
|
||||
Title-Opus: 48
|
||||
|
||||
|
||||
|
||||
Title-RAW: Five Songs -- (#4, "Wiegenlied", is also known as "Brahms' Lullaby")
|
||||
Title-Opus: 49
|
||||
|
||||
|
||||
|
||||
Title-Name: Rinaldo
|
||||
Title-Opus: 50
|
||||
|
||||
|
||||
|
||||
Title-Count: Two
|
||||
Title-Type: String Quartets
|
||||
Title-Opus: 51
|
||||
|
||||
|
||||
|
||||
Title-Count: Eighteen
|
||||
Title-Name: Liebeslieder-Waltzer
|
||||
Title-For: piano, four hands and vocal quartet
|
||||
Title-Name: ad libitum
|
||||
Title-Opus: 52
|
||||
Title-Dates: 1874
|
||||
|
||||
|
||||
|
||||
Title-RAW: Alto Rhapsody
|
||||
Title-Opus: 53
|
||||
|
||||
|
||||
|
||||
Title-Name: Schicksalslied
|
||||
Title-Opus: 54
|
||||
|
||||
|
||||
|
||||
Title-Name: Triumphlied
|
||||
Title-Opus: 55
|
||||
|
||||
|
||||
|
||||
Title-RAW: Variations on a Theme by Joseph Haydn
|
||||
Title-Opus: 56
|
||||
Title-Dates: 1873
|
||||
|
||||
|
||||
|
||||
Title-Count: Eight
|
||||
Title-Type: Songs
|
||||
Title-Opus: 57
|
||||
|
||||
|
||||
|
||||
Title-Count: Eight
|
||||
Title-Type: Songs
|
||||
Title-Opus: 58
|
||||
|
||||
|
||||
|
||||
Title-Count: Eight
|
||||
Title-Type: Songs
|
||||
Title-Opus: 59
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Quartet
|
||||
Title-No: 3
|
||||
Title-Key: C minor
|
||||
Title-Opus: 60
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Duets
|
||||
Title-Opus: 61
|
||||
|
||||
|
||||
|
||||
Title-Count: Seven
|
||||
Title-Type: secular songs
|
||||
Title-For: choir
|
||||
Title-Opus: 62
|
||||
|
||||
|
||||
|
||||
Title-Count: Nine
|
||||
Title-Type: Songs
|
||||
Title-Opus: 63
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Vocal Quartets
|
||||
Title-Opus: 64
|
||||
|
||||
|
||||
|
||||
Title-RAW: Neue Liebeslieder - 15 Waltzes
|
||||
Title-Opus: 65
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Duets
|
||||
Title-Opus: 66
|
||||
|
||||
|
||||
|
||||
Title-Type: String Quartet
|
||||
Title-No: 3
|
||||
Title-Key: B flat major
|
||||
Title-Opus: 67
|
||||
Title-Dates: 1876
|
||||
|
||||
|
||||
|
||||
Title-Type: Symphony
|
||||
Title-No: 1
|
||||
Title-Key: C minor
|
||||
Title-Opus: 68
|
||||
Title-Dates: 1876 première
|
||||
|
||||
|
||||
|
||||
Title-Count: Nine
|
||||
Title-Type: Songs
|
||||
Title-Opus: 69
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Songs
|
||||
Title-Opus: 70
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 71
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 72
|
||||
|
||||
|
||||
|
||||
Title-Type: Symphony
|
||||
Title-No: 2
|
||||
Title-Key: D major
|
||||
Title-Opus: 73
|
||||
Title-Dates: 1877
|
||||
|
||||
|
||||
|
||||
Title-Count: Two
|
||||
Title-Type: Motets
|
||||
Title-Opus: 74
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Ballads and Romances
|
||||
Title-Opus: 75
|
||||
|
||||
|
||||
|
||||
Title-Count: Eight
|
||||
Title-Type: Pieces
|
||||
Title-For: piano
|
||||
Title-Opus: 76
|
||||
Title-Dates: 1878
|
||||
|
||||
|
||||
|
||||
Title-Type: Violin Concerto
|
||||
Title-Key: D major
|
||||
Title-Opus: 77
|
||||
Title-Dates: 1878
|
||||
|
||||
|
||||
|
||||
Title-Type: Violin Sonata
|
||||
Title-No: 1
|
||||
Title-Key: G major
|
||||
Title-Opus: 78
|
||||
|
||||
|
||||
|
||||
Title-Count: Two
|
||||
Title-Type: Rhapsodies
|
||||
Title-For: piano
|
||||
Title-Opus: 79
|
||||
Title-Dates: 1879
|
||||
|
||||
|
||||
|
||||
Title-Name: Academic Festival Overture
|
||||
Title-For: orchestra
|
||||
Title-Opus: 80
|
||||
Title-Dates: 1880
|
||||
|
||||
|
||||
|
||||
Title-Name: Tragic Overture
|
||||
Title-For: orchestra
|
||||
Title-Opus: 81
|
||||
Title-Dates: 1880
|
||||
|
||||
|
||||
|
||||
Title-Name: Nänie
|
||||
Title-Opus: 82
|
||||
Title-Dates: 1881
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Concerto
|
||||
Title-No: 2
|
||||
Title-Key: B flat major
|
||||
Title-Opus: 83
|
||||
Title-Dates: 1881
|
||||
|
||||
|
||||
|
||||
Title-Type: Romances and Songs
|
||||
Title-Opus: 84
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs
|
||||
Title-Opus: 85
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs
|
||||
Title-Opus: 86
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Trio
|
||||
Title-No: 2
|
||||
Title-Key: C major
|
||||
Title-Opus: 87
|
||||
|
||||
|
||||
|
||||
Title-Type: String Quintet
|
||||
Title-No: 1
|
||||
Title-Key: F major
|
||||
Title-Opus: 88
|
||||
Title-Dates: 1882
|
||||
|
||||
|
||||
|
||||
Title-Name: Gesang der Parzen
|
||||
Title-Opus: 89
|
||||
|
||||
|
||||
|
||||
Title-Type: Symphony
|
||||
Title-No: 3
|
||||
Title-Key: F major
|
||||
Title-Opus: 90
|
||||
Title-Dates: 1883
|
||||
|
||||
|
||||
|
||||
Title-Count: Two
|
||||
Title-Type: Songs
|
||||
Title-For: Voice, Viola & Piano
|
||||
Title-Opus: 91
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Vocal Quartets
|
||||
Title-Opus: 92
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs and Romances
|
||||
Title-For: choir
|
||||
Title-Opus: 93
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 94
|
||||
|
||||
|
||||
|
||||
Title-Count: Seven
|
||||
Title-Type: Songs
|
||||
Title-Opus: 95
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Songs
|
||||
Title-Opus: 96
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Songs
|
||||
Title-Opus: 97
|
||||
|
||||
|
||||
|
||||
Title-Type: Symphony
|
||||
Title-No: 4
|
||||
Title-Key: E minor
|
||||
Title-Opus: 98
|
||||
Title-Dates: 1885
|
||||
|
||||
|
||||
|
||||
Title-Type: Cello Sonata
|
||||
Title-No: 2
|
||||
Title-Key: F major
|
||||
Title-Opus: 99
|
||||
Title-Dates: 1886
|
||||
|
||||
|
||||
|
||||
Title-Type: Violin Sonata
|
||||
Title-No: 2
|
||||
Title-Key: A major
|
||||
Title-Opus: 100
|
||||
Title-Dates: 1886
|
||||
|
||||
|
||||
|
||||
Title-Type: Piano Trio
|
||||
Title-No: 3
|
||||
Title-Key: C minor
|
||||
Title-Opus: 101
|
||||
Title-Dates: 1886
|
||||
|
||||
|
||||
|
||||
Title-Type: Double Concerto
|
||||
Title-For: Violin and Cello
|
||||
Title-Key: A minor
|
||||
Title-Opus: 102
|
||||
Title-Dates: 1887
|
||||
|
||||
|
||||
|
||||
Title-Name: Zigeunerlieder
|
||||
Title-Opus: 103
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: songs
|
||||
Title-For: choir
|
||||
Title-Opus: 104
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 105
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 106
|
||||
|
||||
|
||||
|
||||
Title-Count: Five
|
||||
Title-Type: Songs
|
||||
Title-Opus: 107
|
||||
|
||||
|
||||
|
||||
Title-Type: Violin Sonata
|
||||
Title-No: 3
|
||||
Title-Key: D minor
|
||||
Title-Opus: 108
|
||||
|
||||
|
||||
|
||||
Title-Name: Fest- und Gedenksprüche
|
||||
Title-For: choir
|
||||
Title-Opus: 109
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Motets
|
||||
Title-Opus: 110
|
||||
|
||||
|
||||
|
||||
Title-Type: String Quintet
|
||||
Title-No: 2
|
||||
Title-Key: G major
|
||||
Title-Name: Prater
|
||||
Title-Opus: 111
|
||||
Title-Dates: 1890
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Vocal Quartets
|
||||
Title-Opus: 112
|
||||
|
||||
|
||||
|
||||
Title-Count: Thirteen
|
||||
Title-Type: Canons
|
||||
Title-For: female choir
|
||||
Title-Opus: 113
|
||||
|
||||
|
||||
|
||||
Title-Type: Trio
|
||||
Title-For: Piano, Clarinet, and Cello
|
||||
Title-Key: A minor
|
||||
Title-Opus: 114
|
||||
Title-Dates: 1891
|
||||
|
||||
|
||||
|
||||
Title-Type: Quintet
|
||||
Title-For: Clarinet and Strings
|
||||
Title-Key: B minor
|
||||
Title-Opus: 115
|
||||
Title-Dates: 1891
|
||||
|
||||
|
||||
|
||||
Title-Count: Seven
|
||||
Title-Type: Fantasias
|
||||
Title-For: piano
|
||||
Title-Opus: 116
|
||||
Title-Dates: 1892
|
||||
|
||||
|
||||
|
||||
Title-Count: Three
|
||||
Title-Type: Intermezzi
|
||||
Title-For: piano
|
||||
Title-Opus: 117
|
||||
Title-Dates: 1892
|
||||
|
||||
|
||||
|
||||
Title-Count: Six
|
||||
Title-Type: Pieces
|
||||
Title-For: Piano
|
||||
Title-Opus: 118
|
||||
Title-Dates: 1893
|
||||
|
||||
|
||||
|
||||
Title-Count: Four
|
||||
Title-Type: Pieces
|
||||
Title-For: piano
|
||||
Title-Opus: 119
|
||||
Title-Dates: 1893
|
||||
|
||||
|
||||
|
||||
Title-Count: Two
|
||||
Title-Type: Clarinet Sonatas
|
||||
Title-Opus: 120
|
||||
|
||||
|
||||
|
||||
Title-Name: Vier ernste Gesänge
|
||||
Title-RAW: ("Four Serious Songs")
|
||||
Title-Opus: 121
|
||||
Title-Dates: 1896
|
||||
|
||||
|
||||
|
||||
Title-Count: Eleven
|
||||
Title-Type: Chorale Preludes
|
||||
Title-For: organ
|
||||
Title-Opus: 122
|
||||
Title-Dates: 1896
|
||||
|
||||
|
||||
|
||||
Title-RAW: Hungarian Dances (1869) (Brahms considered these adaptations, not original works, and so he did not assign an Opus #) [1]
|
||||
Title-Opus: WoO 1
|
||||
|
||||
|
||||
|
||||
Title-RAW: Chorale Prelude and Fugue on „O Traurigkeit, o Herzeleid“
|
||||
Title-For: organ
|
||||
Title-Opus: WoO 7
|
||||
|
||||
|
||||
|
||||
Title-Type: Fugue
|
||||
Title-Key: A flat minor
|
||||
Title-For: organ
|
||||
Title-Opus: WoO 8
|
||||
|
||||
|
||||
|
||||
Title-Type: Prelude and Fugue
|
||||
Title-Key: A minor
|
||||
Title-For: organ
|
||||
Title-Opus: WoO 9
|
||||
|
||||
|
||||
|
||||
Title-Type: Prelude and Fugue
|
||||
Title-Key: G minor
|
||||
Title-For: organ
|
||||
Title-Opus: WoO 10
|
||||
|
||||
|
||||
|
||||
File diff suppressed because it is too large
Load Diff
@ -1,218 +0,0 @@
|
||||
# charset = cp1251
|
||||
|
||||
### Aliases should be at the front; correct => misspell1, misspell2...
|
||||
# alias Чёрный => Черный
|
||||
# alias Кушелёв-Безбородко => Кушелев-Безбородко
|
||||
# alias Кушелёв-Безбородко => Кушелев-Безбородко
|
||||
# alias Гумилёв => Гумилев
|
||||
|
||||
Александр Дольский
|
||||
Александр Мирзаян
|
||||
Александр Суханов
|
||||
Александр Вертинский (1889-03-21--1957-05-21)
|
||||
Александр Городницкий
|
||||
Булат Окуджава (1924-5-9--1997-6-12)
|
||||
Елена Камбурова
|
||||
Михаил Щербаков
|
||||
Новелла Матвеева
|
||||
Вера Матвеева (1945-10-23--1976-8-11)
|
||||
Ада (Ариадна Адамовна) Якушева
|
||||
Владимир Сергеевич Дашкевич
|
||||
|
||||
## First prefered:
|
||||
Сергей и Татьяна Никитины
|
||||
##Татьяна и Сергей Никитины
|
||||
|
||||
Сергей Никитин
|
||||
Валерий Агафонов (1941-10-3-1984-9-5)
|
||||
Виктор Берковский (1932-07-13--2005-07-22)
|
||||
Владимир Высоцкий (1938-1-25--1980-7-25)
|
||||
Юлий Ким
|
||||
фольклор МГУ
|
||||
Дмитрий Сухарев
|
||||
Арсений Тарковский (1907-6-24--1989-5-27)
|
||||
Агния Барто (1906-2-17--1981-4-1)
|
||||
Вадим Владимирович Егоров
|
||||
Иван Семенович Киуру
|
||||
Григорий Поженян
|
||||
Лариса Критская
|
||||
|
||||
Андрей Вознесенский
|
||||
Александр Кушнер
|
||||
Борис Леонидович Пастернак (1890-2-10--1960-5-30)
|
||||
Осип Эмильевич Мандельштам (1891-1-15--1938-12-27)
|
||||
Владимир Владимирович Маяковский (1893-07-19--1930-4-14)
|
||||
Андрей Миронов (1941-3-8--1987-8-16)
|
||||
Андрей Петров
|
||||
Александр Блок (1880-11-28--1921-8-7)
|
||||
Борис Владимирович Заходер (1918-9-9-2000-11-7)
|
||||
Борис Натанович Стругацкий
|
||||
Борис Слуцкий (1919-5-7--1986-2-22)
|
||||
Юрий Визбор (1934-6-20--1984-9-17)
|
||||
Юрий Давыдович Левитанский (1922-1-21--1996-1-24)
|
||||
Ада Якушева
|
||||
Александр Галич (1918-10-19--1977-12-15)
|
||||
Александр Дулов
|
||||
Вероника Тушнова (1915-1965)
|
||||
Андрей Макаревич
|
||||
Борис Гребенщиков
|
||||
Александр Карпов
|
||||
Андрей Корф
|
||||
Домино
|
||||
Игорь Белый
|
||||
Кирилл Волошин
|
||||
Леонид Сергеев
|
||||
Наталья Приезжева
|
||||
Олег Митяев
|
||||
Скай
|
||||
Светлана Ветрова
|
||||
Таня Королева
|
||||
Тимур Шаов
|
||||
Три Сучка
|
||||
Вадим и Валерий Мищуки
|
||||
Вероника Долина
|
||||
Владимир Ланцберг
|
||||
|
||||
## This causes infinite loop of expansion Иващенко => Васильев и Иващенко => Иващенко
|
||||
## Васильев и Иващенко
|
||||
|
||||
Михаил Светлов (1903-6-17--1964-7-28)
|
||||
Эдуард Багрицкий (1895-11-4--1939-2-16)
|
||||
Виктор Соснора
|
||||
Николай Заболоцкий (1903-5-7--1958-10-14)
|
||||
Георгий Иванов (1894-11-10--1958-8-26)
|
||||
Даниил Хармс (1905-12-30--1942-2-2)
|
||||
Дон Аминадо (1888-5-7--1957-11-14)
|
||||
Евгений Евтушенко
|
||||
Евгений Клячкин (1934-3-23--1994-7-30)
|
||||
Иосиф Александрович Бродский (1940-5-24--1996-1-28)
|
||||
Олег Чухонцев
|
||||
Павел Коган (1918-7-7--1942)
|
||||
Поль Верлен (1844-3-30--1896-1-8)
|
||||
Юрий Аделунг (1945-4-3--1993-1-6)
|
||||
Давид Самуилович Самойлов (1920-6-1--1990-2-23)
|
||||
Генрих Вениаминович Сапгир (1928-11-20--1999-10-7)
|
||||
Овсей Дриз (1908-5-16--1971-2-14)
|
||||
Иван Крылов (1769-2-13--1844-11-21)
|
||||
Самуил Яковлевич Маршак (1887-11-3--1964-7-4)
|
||||
Константин Библ (1898-2-26--1951-11-12)
|
||||
Марина Ивановна Цветаева (1992-10-8--1941-8-31)
|
||||
Саша Чёрный (1880-10-13--1932-7-5)
|
||||
Вениамин Борисович Смехов
|
||||
Максимилиан Александрович Волошин (1877-5-28--1932-8-11)
|
||||
Николай Степанович Гумилёв (1886-4-15--1921-8)
|
||||
Григорий Александрович Кушелёв-Безбородко (1832-2-1--1870-5-13),
|
||||
Пётр Андреевич Вяземский (1792-7-23--1878-11-22)
|
||||
Михаил Львович Матусовский (1915-7-23--1990-7-16)
|
||||
Александр Александрович Алябьев (1787-8-15--1851-3-6)
|
||||
Борис Алексеевич Прозоровский (1891-6-30--1937)
|
||||
|
||||
## Maurice Car^eme
|
||||
Морис Карем (1899-5-12--1978-1-13)
|
||||
|
||||
## dates not checked
|
||||
Михаил Кудимов
|
||||
Борис Носик
|
||||
Вадим Егоров
|
||||
Тим Собакин
|
||||
Юрий Кузнецов
|
||||
Агнешка Осеецкая
|
||||
|
||||
А. Н. Островский
|
||||
Антон Павлович Чехов (1860-1-29--1904-7-15)
|
||||
Александр Сергеевич Грибоедов (1790(5?)-1-15-1829-2-11)
|
||||
Александр Сергеевич Пушкин (1799-6-6-1837-2-10)
|
||||
Андре Моруа (1885-1967)
|
||||
Аркадий Аверченко (1881-3-18--1925-3-18)
|
||||
Василь Быков (1924-6-19--2003-6-22)
|
||||
Владимир Алексеевич Гиляровский (1853-12-8---1935-10-1)
|
||||
Денис Иванович Фонвизин (1744(5?)-4-3--1792)
|
||||
Джек Лондон (1876-1-12--1916-11-22)
|
||||
Иван Алексеевич Бунин (1870-10-22--1953-11-8)
|
||||
Илья Ильф (1897-10-15--1937-4-12)
|
||||
Евгений Петров (1903-12-13--1942-7)
|
||||
Иван Сергеевич Тургенев (1818-10-28--1883-11-22)
|
||||
Исаак Бабель (1894-7-13-1940-1-27)
|
||||
Лев Николаевич Толстой (1828-9-9--1910-11-20)
|
||||
Михаил Афанасьевич Булгаков (1891-5-15--1940-3-10)
|
||||
Михаил Юрьевич Лермонтов (1814-10-15--1841-7-27)
|
||||
Николай Васильевич Гоголь (1809-4-1--1852-3-4)
|
||||
Николай Семёнович Лесков (1831-2-16--1895-3-5)
|
||||
О. Генри (1862-7-11--1910-6-5)
|
||||
Оскар Уайльд (1984-10-16--1900-11-13)
|
||||
Фёдор Михайлович Достоевский (1821-11-11--1881-2-9)
|
||||
Ганс Христиан Андерсен (1805-4-2--1875-8-4)
|
||||
Ярослав Гашек (1883-4-30--1923-3-3)
|
||||
Джозеф Редьярд Киплинг (1865-12-30--1936-1-18)
|
||||
|
||||
Юрий Аделунг (1945-4-3--1993-1-6)
|
||||
Алексей Николаевич Апухтин (1840(1?)-11-27--1893-8-29)
|
||||
Афанасий Афанасьевич Фет (1820-12-5--1892-12-3)
|
||||
Алексей Константинович Толстой (1817-9-5--1875-10-10)
|
||||
Владимир Владимирович Набоков (1899-4-24--1977-7-2)
|
||||
Роберт Иванович Рождественский (1932-6-20--1994-3-20)
|
||||
Владимир Туриянский
|
||||
Вадим Сергеевич Шефнер (1915-2002)
|
||||
Иннокентий Фёдорович Анненский (1855-9-1--1909-12-11)
|
||||
Илья Львович Сельвинский (1899-10-24--1968-3-22)
|
||||
Исаак Иосифович Шварц
|
||||
Илья Григорьевич Эренбург (1891-1-27--1967-8-31)
|
||||
Михаил Сергеевич Боярский
|
||||
Максимилиан Александрович Волошин (1877-5-28-1932-8-11)
|
||||
Микаэл Таривердиев (1931-8-15--1996-6-24)
|
||||
Николай Михайлович Рубцов (1936-1-3--1971-1-19)
|
||||
Федор Иванович Тютчев (1803-12-5--1873-7-27)
|
||||
Николоз Мелитонович Бараташвили (1817-12-27--1845-10-21)
|
||||
Вера Ильинична Матвеева (1945-10-23--1976-8-11)
|
||||
Геннадий Фёдорович Шпаликов (1937-09-06--1974-11-01)
|
||||
Александр Моисеевич Володин (1919-2-10--2001-12-17)
|
||||
Юрий Абрамович Левитин (1912-12-18--1993-8-2)
|
||||
Сергей Александрович Есенин (1895-10-3--1925-12-28)
|
||||
|
||||
## В. Берестов
|
||||
## В. Золотухин
|
||||
## В. Смехов
|
||||
|
||||
Олег Анофриев
|
||||
Олег Иванович Даль (1941-5-25--1981-5-3)
|
||||
Перси Биши Шелли (1792-8-4--1822-7-8)
|
||||
Римма Фёдоровна Казакова
|
||||
Эльдар Рязанов
|
||||
Эдуард Николаевич Успенский
|
||||
Юрий Алексеевич Кукин
|
||||
Юнна Петровна Мориц
|
||||
|
||||
## Я. Пригожий
|
||||
|
||||
### These should be at the end
|
||||
|
||||
### Possible misspellings of the first name
|
||||
# fix_firstname фолклор МГУ
|
||||
|
||||
### Misspelling of older versions fixed: misspelled => correct_shortcut
|
||||
# fix Ivan Krylov (1769-1844) => Крылов
|
||||
# fix Samuil Marshak (1887-1964) => Маршак
|
||||
# fix А. С. Грибоедов (1790(5?)-1829) => Александр Сергеевич Грибоедов (1790(5?)-1-15-1829-2-11)
|
||||
# fix Д. И. Фонвизин (1744(5?)-1792) => Денис Иванович Фонвизин (1744(5?)-4-3--1792)
|
||||
# fix Х. К. Андерсен => Андерсен
|
||||
# fix П.-Б. Шелли => Шелли
|
||||
# fix Эдуард Багрицкий (1922-1942) => Багрицкий
|
||||
# fix Иосиф Александрович Бродский (19405-24--1996-1-28) => Бродский
|
||||
# fix Татьяна и Сергей Никитины => Сергей и Татьяна Никитины
|
||||
# fix Р. Киплинг => Киплинг
|
||||
|
||||
## Non-automatic shortnames
|
||||
# shortname Дм. Сухарев
|
||||
# shortname Никитины
|
||||
# shortname Арс. Тарковский
|
||||
# shortname И. Киуру
|
||||
# shortname А. Апухтин
|
||||
# shortname Дж. Киплинг
|
||||
# shortname Дж. Лондон
|
||||
|
||||
## This might be wrongly expanded when combinations like
|
||||
## Сергей и Татьяна Никитины, Виктор Берковский
|
||||
## are broken over "," and "и"
|
||||
|
||||
# keep Татьяна Никитины
|
||||
# keep Сергей Никитины
|
||||
Loading…
x
Reference in New Issue
Block a user